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Hubert and Jan van Eyck, Ghent Alterpiece (open), 1432. Late Medieval/Early Renaissance. |
The scene positioning featured in the
Ghent Alterpiece is quite
neat. I especially appreciate the way that the far-left and far-right
scenes correspond with one another, despite the central scenes that
creates the distance. I also am intrigued by the representation of
Jesus' sacrifice- or maybe the Last Supper's "wine"- with the bleeding
heart of the lamb into the chalice.
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Hubert and Jan van Eyck, Ghent Alterpiece (closed), 1432. Late Medieval/Early Renaissance. |
The life-like statues in the "closed" (above) are very dynamic. I also appreciate the tiny view of the city's horizon in the painting. It truly looks like the layout of an actual room.
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