Tuesday, December 11, 2012

Chapter 28- Impressionism, Post-Impressionism, Symbolism: Europe and America, 1870 to 1900

Rousseau's Sleeping Gypsy is simply otherworldly. The simplicity and inattention to detail makes the Impressionist painting doubly exotic and quixotic.
Henri Rousseau, Sleeping Gypsy, 1897. Oil on canvas. Impressionism (France).





The other favorite of mine from the chapter is also by Rousseau. The Dream has the same appeal of Sleeping Gypsy although, seemingly, with more detailing. The imagined exotic paradise, however, seems as though it could be an illustration of a real location.

Henri Rousseau, The Dream, 1910. Oil on Canvas. Impressionism (France)

Chapter 27- Romanticism, Realism, Photography: Europe and America, 1800-1870

 Goya's Saturn Devouring One of His Children, illustrates the most disturbing scene that I have seen in a painting thus far.  It is indeed horrific, but it is haunting as well, a trait that I consider to be an attribute of good art. It is a great image to view because of quality of humanistic expression; even if he hadn't have illustrated the bloody, decapitated corpse, the crazed eyes of Goya's Saturn hinted at the mythical being's savagery and insanity. The dark-colored, void backdrop of the painting further adds to the painting's moroseness, but it also gives it a kind of "transcendent" appearance. Every thing about the painting embodies the Romantic period that it is associated with.






Francisco Goya, Saturn Devouring One of His Children, 1819-1823. Fresco. Romanticism (Spain).






 One of the biggest reasons that Blake's Ancient of Days stood out to me was because of its close resemblance to the common illustration of the Egyptian "All-Seeing Eye" or, the "Eye of Horus". The angle created by the two rays of light extending from the Creator's thumb and fingers look to be the top of the (technically, incomplete) pyramid, which is often pictured below or contains the "Eye". The actual "Eye", seems to be formed by the sun and the clouds that surround it.
William Blake, Ancient of Days, 1794. Metal relief etching, hand colored. Romanticism (England)
One depiction of the "All-Seeing Eye" (compare with Blake's Ancient of Days)