Chapter 26- Rococo To Neoclassicism: The 18th Century In Europe And America

One of my favorite works in this chapter is The Swing by Fragonard. The setting for the painted scene is very jovial and utopian. The painting's characters -the eager suitor peeping underneath dress of the "unsuspecting" dame, the helpful attendant, and the stone cupid- though mischievous and racy, remain relaxed and serene.

Jean-Honoré Fragonard, The Swing. 1766. France. Rococo/ Neoclassicism.

Another of my favorites in this chapter is Joseph Wright of Derby's A Philosopher Giving a Lecture at the Orrery. I love the genuine interests that the depicted observers seem to have with the "cosmic" lesson presented before them. I also have an appreciation for the audience itself- particularly the artist's inclusion of the young children and the lone woman. That Wright included them seems to openly suggest that previous, adult-male monopoly on art and science is coming to an end; culture is becoming attainable for all.

Joseph Wright of Derby, A Philosopher Giving a Lecture at the Orrery. ca. 1763-1765. England. Rococo/Neoclassicism.

Chapter 25- The Baroque in Nothern Europe

Gerrit van Honthorst. Supper Party. 1620. Dutch Republic/Baroque.

I seem like Supper Party by Gerrit van Honthorst, not only because it is a well painted work, but it is a great storyteller as well. The chiaroscuro lighting was convincing in establishing the setting for the viewers. The painted characters, of course, help in displaying the intimacy of the event.



Judith Leyster's Self-Portrait is particularly refreshing to view. The painting shows the enjoyment that she has in her work, and in herself as an artist and as a person.

Judith Leyster. Self-Portrait. 1630. Dutch Republic/Baroque.